In The Despair of Faith All Items with the mop handles as

with the mop handles as dynamic as laser-beams

It begins with intuitive charcoal marks and very liquid brushstrokes

Set values are exchanged in an attempt to blur the lines between archetypes

I reinterpret these extraction maps

In The Despair of Faith All Items with the mop handles asAcross various forms of media, Amy Gillies work utilises the possibilities of quotation and collage to connect lines of inquiry between the past and present. Her text based work is produced by collaging found source material such as art magazines and literary fiction. In the case of this work, a single line from her written work has been isolated and hand embroidered onto cotton. Having gone through multiple layers of mediation, the work is somewhat